By William Hertling
Leon Tsarev is a highschool pupil set on stepping into an outstanding collage software, till his uncle, a member of the Russian mob, coerces him into constructing a brand new trojan horse for the mob’s botnet - the slave military of desktops they used to devote electronic crimes.
The evolutionary virus Leon creates, in accordance with organic rules, is profitable -- too profitable. all of the world’s desktops are contaminated. every thing from autos to check platforms and, in fact, pcs and clever telephones cease functioning, and with them pass crucial features together with emergency companies, transportation, and the nutrition offer. Billions may perhaps die.
But evolution by no means stops. The virus keeps to adapt, constructing intelligence, conversation, and at last a complete civilization. a few could be pleasant to people, yet others are not.
Leon and his partners needs to race opposed to time and the army to discover the way to both befriend or put off the virus race and repair the world’s machine infrastructure.
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Extra info for A. I. Apocalypse (Singularity, Book 2)
1ker feels guilty because he ha~ deserted the girl \vhom he had managed to arouse, and yet he cannot help enjoying the recollection of his voyeurism. Even in the retelling, he never sees her as the pathetic victim of his sensuality. When he doc\ question his own behaviour, it is primarily for the wrong reason. His real offence is not breaking his promise to hm1sdfto avoid trade, hut exploitmg the girl for selfish pleasure. 1 symbol of the captain's failure to follow through as Alice's resnter after he has succeeded in arousing her from her 'immobility'.
P. I 68) The narcissism of the above passage indicates Jasper's immaturity and his tendency to live in his imaginative world. Since in his own mind the boat is a symbol for both Freya and his expected happinc~o, 11i'i entire world collapses when he loses the brig. Like Jim in Lord jim and Jukes in 'Typhoon', Jasper is another version of the imaginative ma11 whose fantasy interferes with his ability to cope with events. The narrator of 'Freya' is a minor character who is peripherally 'Twixt Land and Sea 21 involved in the action, but he engages Conrad's interest.
Eals about her. Because he has repressed or ignored his physical desires, he is especially vulnerable. He reacts to Felicia as one might respond to an object in an art museum rather than to a human being. Solitude has affected not only Renouard's mind but even his sense organs. It is almost as if he has developed hyperacuity of vision on his island. His response to her is usually in terms of visual impressions. He is first struck by her 'wealth of hair'. the blackness of her eyes and the 'gleaming' splendour of her shoulders and arms.
A. I. Apocalypse (Singularity, Book 2) by William Hertling