Get 100% Photoshop - Create stunning illustrations without using PDF

By Steve Caplin

ISBN-10: 0240814258

ISBN-13: 9780240814254

Just should you imagine you’ve discovered all that you would be able to ever learn about operating in Photoshop, electronic artist and photomontage king Steve Caplin comes in addition to another masterful technique for developing magnificent artworks in Photoshop. This time, he’ll provide help to create entire pictures, from begin to end, <U>entirely</U> in the software. No resource fabric, images, or latest documents from different software program applications are wanted, saving you necessary time and assets. The concepts you’ll research during this ground-breaking new publication might help you mix your inventive imaginative and prescient and talents with an figuring out of the way to control the integrated Photoshop filters to supply remarkable, crowd pleasing artwork.

Each bankruptcy opens with a whole double web page representation, created totally in Photoshop. Then, conscientiously laid out step by step directions exhibit you ways every one point within the representation is created, and the way they're all mixed finally to make a powerful ultimate photograph. utilizing Steve’s confirmed equipment for fulfillment, you’ll be capable of produce pictures that replicate a extra finely crafted, hand drawn strategy, no matter if you’re an artist to your personal entertainment or a operating expert searching for a leg up at the festival.

*The purely publication of its type that doesn't depend upon any exterior pictures whatever - every point is created without delay in Photoshop

*A bankruptcy overlaying the fundamentals of utilizing particular filters and textures and a bankruptcy supplying a precis of universal suggestions and instruments may help you sweep up in your common Photoshop abilities so that you can go through the remainder of the e-book effectively

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Additional info for 100% Photoshop - Create stunning illustrations without using any photographs

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Consider the analogy of light as language, we all More logical? Cost efficient? To use a phrase news- have our own accents, and manner of speaking. ) Here’s the thing. Experimentation is rarely practical, or even sensible. I push the edges of possibility with Speedlights just to find stuff out. Why not? As far as I know, so far anyway, it’s not a crime to waste pixels. If it were, trust me, the jails would be much fuller than they are now. This is ISO 100 on a D3X, with a 14–24mm lens zoomed to 19mm, 1/250th at f/13.

Match your light source with your subject. A fashion model can handle a raging light like this. Grandma, maybe not. Let’s get bigger now, while staying basic. One reflected umbrella on a stand, from an average distance. Everybody’s got a stand and an umbrella, right? These are such common household items I bet even folks who aren’t involved in photography have a couple tucked away in a kitchen cabinet, just in case they ever have an occasion to diffuse light. 16 SKETCHING LIGHT an d now, tim e for a short, brisk w hipping!

Without that very large push of light down on the ground, you force the camera to make a choice—expose him properly and lose the sky, or saturate the sky and turn him into a silhouette. There’s a lot of light up there in the heavens, so consequently, you need a lot of light down here on the ground to match it. And this rig is one way, among many, to do that. There’s a world of light shapers out there, from Tupperware salad bowls to football field–sized, motorized softboxes that Detroit car shooters use.

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100% Photoshop - Create stunning illustrations without using any photographs by Steve Caplin


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